posted on: October 19, 2020
Sometimes they even manage to remember the truth uttered by one of the city’s great sages, a contemporary of Baron’s named Lawrence Peter Berra. He’s credited as the director of just three more feature films—Terror in the City (1964), Outside In (a.k.a. Expédition depuis les Etats Unis - Envoi normal seulement et sans numéro de suivi. Livré sous 2 à 4 semaines. The film has a voice over narration by Lionel Stander, whose voice is deep and gravely, and there's no issue whatsoever in understanding anything said. He has written for the New Yorker, the Atlantic, the New York Times, the Nation, GQ, and Sight & Sound, and taught at Columbia and Princeton. The photographic details of Manhattan shine through, and the gradations of black and gray are precise. It’s commercially dangerous for any work of popular art to be either behind the times or too far ahead of them. Livré sous 2 à 4 semaines, Livraison Suivi : It's almost a shame we don't get a full adaptation. In an interview with German television in the early 1990s—seen in the making-of documentary Requiem for a Killer—he suggested wistfully that instead of going to Hollywood after his first feature he should perhaps have stayed in his home city and made more of “the kinds of films I know how to make.” Films, that is, like Blast of Silence, with its bone-deep noir fatalism, its pervasive conviction that things never work out the way we’ve planned.But Allen Baron, unlike his luckless hero, has survived. His most recent projects include the futuristic romance A Boy and a Girl with Natalie Nourigat; Archer Coe and the Thousand Natural Shocks, a loopy crime tale drawn by Dan Christensen; and the horror miniseries Madame Frankenstein, a collaboration with Megan Levens. It was, along with John Cassavetes’s Shadows (1959) and Shirley Clarke’s The Connection (1960), one of the first of the low-budget independent movies that suggested the existence of a uniquely New York style of filmmaking, documentary-like and expressively unpolished (though Blast of Silence has more plot, and a much more tightly constructed screenplay, than Cassavetes and Clarke would likely have felt comfortable with). It’s commercially dangerous for any work of popular art to be either behind the times or too far ahead of them. Blast of Silence (Criterion Collection) Genre: Mystery / Suspense: Starring: Peter Clume, Allen Baron, Molly McCarthy, Larry Tucker, Peter Clune, Danny Meehan, Bill Da Prato Blast of Silence - Criterion Collection is packaged in a clear plastic case with printing on all sides of the cover. There’s a weird poignancy in his stiffness. The film is presented in a Dolby Digital 1.0 track, audio coming out of the center. Martin Scorsese, who was studying film at NYU when the picture came out, regularly cites it as a key New York movie, and periodically it gets “rediscovered” and dragged out of the shadows into the glare of the international film festival circuit: it impressed the cineastes in attendance at the Munich film festival in 1990 and was screened at Cannes in 2006.Among the film’s cast and crew, fates varied. Rather than sit and brood in the stunningly depressing East Village hotel he has checked himself into, Frankie wanders the city streets by day and by night, but can’t find much to distract him there either, because he has come at the wrong time. A frequent Criterion collaborator who has edited many of our trailers, the director of The World Before Your Feet charts the evolution of his movie love through multiple formats and new technologies. FINAL THOUGHTS:Highly Recommended. The front image, menu design, and all of the interior images were done by comics artist Sean Phillips, whose own Criminal series with Ed Brubaker tells tough-minded crime tales in the tradition of Blast of Silence. Written by Waldo Salt separately from Baron's screenplay and penned under the name Mel Davenport, it's ever-present, even moreso than the jazzy Meyer Kupferman score. Subtitles are available for the deaf and hearing impaired. He has begun painting again, and is preparing a series of abstract canvases for a gallery show, his first, in Los Angeles. The words “blessed event” do not spring to mind as we watch this character being born to his brief life on-screen. It’s Christmastime, a season that (as Stander growlingly informs us) evokes nothing but bad memories in this angry, solitary man: all the seasonal cheer around him just turns him back on himself, and that’s the last place he wants to be.Although this holiday motif might sound like a too facile irony, Baron (with the help of his inventive cinematographer, Merrill Brody) makes it work by emphasizing, in a longish nocturnal montage, the almost comic visual incongruity of Frankie’s self-absorption as he walks past the bright window displays on Fifth Avenue. This release also contains a couple of inserts. As the white circle shakes and begins to come closer, the gravelly voice of B-movie perennial Lionel Stander seems to address the viewer directly, speaking in a second-person "you." Culled from an older German TV program, it's built around Baron taking us on a walking tour of Manhattan, telling us a ton of great stories of the time when Blast of Silence was made. Considering the film's very indy roots I'm not too shocked at the inconsistencies presented throughout, but I am quite surprised by how clean the image looks in terms of dirt and debris. Despite the contributions of Stander and Salt, Blast of Silence has virtually no measurable political content. He wrote an appreciation of Allen Baron’s film Blast of Silence in Sean Phillips’s comic book Criminal (Phillips did the a. He is best known for his collaborations with Joelle Jones, including the hardboiled crime comic book You Have Killed Me, the challenging romance 12 Reasons Why I Love Her, and the 2007 prose novel Have You Seen the Horizon Lately?, for which Jones did the cover. (Falk opted to take the role of a different hit man, in Burt Balaban’s 1960 Murder, Inc.) Baron’s a lesser actor, obviously, but his relative lack of ease before the camera lends a little extra edge of tension to this already tightly wound character. Larry Tucker, who plays the creepy Ralphie, had a memorable role as the madman Pagliacci in Samuel Fuller’s Shock Corridor (1963), but by the late sixties was better known as the writing partner of Paul Mazursky, with whom he collaborated on three screenplays, including Mazursky’s breakthrough, Bob & Carol & Ted & Alice (1969). Cinematographer and producer Merrill Brody has a few rough stylistic edges, but even they serve to add to the from-the-ground feeling of the production. Blast of Silence—yet another strange distinction—is both.The movie had a bit of success, though, even in 1961. Shot on the streets of New York, the gritty tale of a hitman on the job that will prove to be his undoing, it's more than just another B-movie, it's a blood, sweat, and tears production of a writer/director/star looking to make a name. The front image, menu design, and all of the interior images were done by comics artist Sean Phillips, whose own Criminal series with Ed Brubaker tells tough-minded crime tales in the tradition of Blast of Silence. During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. But it's still very clean. Criterion presents a very strong digital transfer, though the source material has a few issues here and there. The killer comes to town by rail, arriving, appropriately, at Penn Station, which was, like him, doomed: less than five years after Blast of Silence was shot, the old station we see in the opening scenes was demolished. He’s a stranger in his own skin.The whole movie, in fact, has the melancholy aura of something displaced, of a traveling salesman’s loneliness. A nice little collection that also presents some notes. And it is, hands down, the best movie ever made about a common, important, and unjustly neglected American experience: the really bad business trip.The film’s protagonist, Frankie Bono (played by Baron, who also wrote and directed), is a Cleveland hit man with a contract to terminate—for reasons he neither knows nor cares to know—a middle-management New York mobster named Troiano (Peter H. Clune). In an interview with German television in the early 1990s—seen in the making-of documentary Requiem for a Killer—he suggested wistfully that instead of going to Hollywood after his first feature he should perhaps have stayed in his home city and made more of “the kinds of films I know how to make.” Films, that is, like Blast of Silence, with its bone-deep noir fatalism, its pervasive conviction that things never work out the way we’ve planned.But Allen Baron, unlike his luckless hero, has survived. Blast of Silence is presented in the aspect ratio of 1.33:1 on this dual-layered disc. Try Prime Hello, Sign in Account & Lists Sign in Account & Lists Orders Try Prime Cart. It ain’t over till it’s over, he said, and New Yorkers never argue with Yogi. Despite its few issues, this is still a very solid transfer. The 1990 footage follows Baron through New York as he visits many of the locations used in the film, both reflecting on the actual shoot, and at times, memories from his childhood involving the locations. The voiceover continues, acting as a kind of taunting conscience, egging Frank on while also exposing his Freudian hang-ups. Although Baron was a native New Yorker, Brooklyn bred, he chose to film a story about a man who is not: a tense, wary out-of-towner who, like so many who come to Manhattan from smaller, less daunting places, responds to the perceived hostility of the city with some pretty serious hostility of his own. Blast of Silence is presented in the aspect ratio of 1.33:1 on this dual-layered disc. He still sounds like a New Yorker. Follow Rich's blog at Confessions123.com. The image has thankfully not been picture-boxed. He hasn’t directed a TV show in better than twenty years. Frankie doesn’t last nearly as long.I don’t think I’m spoiling any surprises here. This low-budget, carefully crafted portrait of a hit man on assignment in Manhattan during Christmastime follows its stripped-down narrative with mechanical precision, yet also with an eye and ear for the oddball idiosyncrasies of urban living and the imposing beauty of the city. The film's sharpness varies throughout, looking sharp and crisp most of the time but murky and soft at others. Rather than sit and brood in the stunningly depressing East Village hotel he has checked himself into, Frankie wanders the city streets by day and by night, but can’t find much to distract him there either, because he has come at the wrong time. Now, thanks to the Criterion DVD, Blast of Silence is out there for everyone to discover. It makes the audience's pact with the killer implicit. [General Film Discussion] / Mon Oct 19, 2020 10:25:09 AM, [International DVD and Blu-ray News and Discussions] / Mon Oct 19, 2020 09:06:39 AM, The Trial of the Chicago 7 (Aaron Sorkin, 2020), StudioCanal: Buñuel: the Essential Collection, [Boutique Labels] / Mon Oct 19, 2020 06:23:55 AM, [General Film Discussion] / Mon Oct 19, 2020 04:44:26 AM, [Criterion Rumors and News] / Mon Oct 19, 2020 01:40:58 AM, [General Film Discussion] / Sun Oct 18, 2020 11:00:40 PM, [Filmmakers] / Sun Oct 18, 2020 09:27:21 PM, [International DVD and Blu-ray News and Discussions] / Sun Oct 18, 2020 09:24:54 PM, [The Criterion Collection] / Sun Oct 18, 2020 08:31:39 PM, [Filmmakers] / Sun Oct 18, 2020 06:09:51 PM, [Indicator Blu-rays] / Sun Oct 18, 2020 04:18:06 PM, [The Criterion Collection] / Sun Oct 18, 2020 02:54:09 PM, This site is not affiliated with The Criterion Collection.
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