posted on: October 19, 2020
", This time round, though, faced with making his first ever five-part drama, "the most punishing, demanding" project of his entire career, he did consider sharing directorial duties with someone else. "That's a good question." The prejudice and mistrust can be seen as a parable of modern race relations – but for Poliakoff they are a metaphor for the antisemitism that has informed so much of his work.
Descriptions of his appearance err towards cartoonish caricature – dishevelled, wild-haired, fidgety, like a mad professor who has accidentally electrocuted himself – only adding to the mythology of a wild man of letters. Instinctively, you felt that was wrong.". '", He does concede, however, that his creative autonomy is almost unheard of in the BBC. On The Lost Prince, when Tom Hollander played George V, which was quite a surprising choice at the time, when the BBC saw it they rang me up and said: 'He's amazing.
He can still remember the moment when all sporting matches against another local school were abruptly cancelled, and he asked why. "People did say: 'I'll believe it when I see it. But he's brilliant.' I would call myself an obsessive character. What Dancing on the Edge is really about, though, is a hotel.
Dancing on the Edge premieres Saturday, October 19th at 10 p.m. on Starz. But, as Stephen Poliakoff's latest lavish drama reaches our screens, what does he make of his reputation for being a control freak? Eventually though, the miniseries does give itself over to intrigue almost exclusively, but drags the (fairly obvious) outcome out for its remaining episodes. ", • Dancing On the Edge starts on 4 February at 9pm on BBC2.
In Dancing on the Edge, Poliakoff has constructed a believable world, spanning turbulent class divides, and has shown how breaking convention (and the march of progress) come at the risk of losing the safety and comfort of the old ways. "But I've got quite a good record of spotting people.
"Well, it was my, my … my …" he stutters in protest, then shrugs and grins. Because you had all the Victorian servants still, but you had all the mod cons – you had a lovely fridge and your house was warm, and you had a car and a driver and all of that. His reputation certainly precedes him – a great galloping colossus of media folklore, variously casting the writer as a genius, control freak, force of nature or diva, sometimes all at the same time. Poliakoff won a place to study history at Cambridge, and his decision to quit long before graduating was probably considered insane at the time, but judging by the singlemindedness of his subsequent career, self-doubt will not have troubled his decision. For practical reasons, the idea was abandoned, but I can't imagine he was disappointed. "Because if we accept that, then it's almost like we're saying, 'Nothing could have made a difference. What does dance on the razor's edge expression mean?
That’s not to say that Dancing on the Edge doesn’t have its charms. I suppose that people who are preparing surprises for the world, as opposed to being hired to direct other people's work – they are inflicting their vision of the world. Poliakoff's work is never about just one thing only, though. Besides," he grins, "I just think it's nice to use television like that. So is Julian, as it happens. The series aired on BBC Two between 4 February and 10 March 2013. "People go on and on about my budget, but I don't get any more money than anyone else. Journal of Transformative Education 2004 2: 4, 336-351 Download Citation. We'll see how it goes. "I think most people who know me would say that I worry quite a bit about certain things that maybe aren't hugely important. ", The son of a Russian émigré businessman and aristocratic Jewish actor, he was packed off to boarding school in Kent at the age of eight, where he was spectacularly miserable.
But if I didn't have that freedom, well then I might as well make movies. Their introduction and integration into London society is helped along by an ambitious and cocky music writer, Stanley (Matthew Goode), who arguably also helps usher their downfall. Stephen Poliakoff on Dancing on the Edge: 'I can come across as arrogant', Stephen Poliakoff: '‘I would call myself an obsessive character' Photograph: David Levene, Dancing On The Edge … set in London in 1932, it deals with many of the dramatist's familiar themes. The jazz players knew their musicianship deserved acclaim – yet it still felt too good to be true, and their delight at their sudden validation wrestles with an instinct to distrust. But it is a total myth. ", Does he think it's arrogance? But to everyone about to fall in love with his latest drama, Poliakoff may well soon be at real risk of becoming a national treasure. The Louis Lester Band manages to get a recurring gig at the Imperial Hotel thanks to the pushy nature of their manager, Wesley (Ariyon Bakare), and also a place to stay there — tucked away, of course. So even if you were rich, and of a liberal bent, you still reverted – as most of Europe did.".
The hotel serves as the central location for the main cast (which includes a number of great actors like John Goodman as an American billionaire, Jacqueline Bisset as an unexpected jazz enthusiast, and Anthony Head, Joanna Vanderham and Tom Hughes as members of the aristocracy) to meet, greet, break up, and come and go.
The miniseries covers the rise and quick unravelling of the fictional Louis Lester Band from 1932 to 1933. As Dancing on the Edge wobbles into its final lap, I'm fast losing the will to live. Most people will think: 'That's probably not the most important thing in the world.' — but also incorporates the very American element of jazz. I am a playwright, and obviously that's an assertive act. But I do have an ability to waste energy on not-crucial things. ", Dancing on the Edge was made for BBC2, but it's fairly clear that he now wishes he'd fought for it to be on BBC1. It is also, in part, a parable about the dangers of a class so complacently secure in its certainties that it fails to register a new danger. And indeed, some of the good people were antisemitic; I mean, Harold Nicholson was one of the good people agitating on the sidelines to make Churchill prime minister, and was terribly anti-appeasement, and he was a terrible antisemite and a terrible racist.
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