posted on: October 19, 2020
This is usually an advantage, but not when you’re trying to take a panoramic photo with your DSLR. Or, maybe there's no advantage to it... For example: If I want to photograph a really long building, rather than setting up in the middle of the building and panning it, I start at the very left of the building at, say, 50 feet away, and take overlapping photos at that same distance until reaching the very right side of the building. This unwanted effect is very hard to avoid when you try to take a panoramic picture of a busy area.
I'll ask around to see what others might have up their sleeves!
Using a DSLR allows you to create high resolution panoramas to print or sell. https://www.bhphotovideo.com/c/product/1165602-REG/venus_optics_laowa_15... https://www.bhphotovideo.com/c/product/1301157-REG/really_right_stuff_pc... http://www.lemis.com/grog/photos/Onephoto.php?image=/grog/Photos/1964091... http://www.lemis.com/grog/diary-sep2015.php#D-20150911-232920, Introduction to Lens Mounts and Lens Adapters, Converting VHS Tapes to DVD: A First-Hand Experience, © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Since you’re going to let the software do all of the work, it doesn’t matter how many photos are combined to produce the final result. I forgot to add, there are usually markings on the panohead to help you take notes to replicate the setup if you have more than one camera / lens combination that you use. My thought is that you would want to make a wide rectangular swath with lots of overlap and as many images as you can manage. One answer to both questions is to shoot a high quality 360 photo with a DSLR or any camera using a panoramic head. GoPro Hero 6 with Panohero H5B would work pretty well. This means your lens needs to bring you in relatively close to the subject, but not too close.
Here’s the tutorial for a multi-row panoramic head: Thanks for sharing! Canon A-1, FD 28mm f2.8 (bought used from B&H), Kodak Ektar 100. https://www.flickr.com/photos/ralphhightower/8436105383/in/album-72157633129780373/. Let’s start with the obvious one: keeping your camera straight. Do you ever take them with your DSLR? I like the photo "Crashing surf panoramic, taken with a Sony NEX-6" by Nick McGuire. This way, you’re giving your software more pixels to work with. But they were a hassle and a pain in use so now I’ve ordered a Ninja. It is also important to level the base of the tripod head with the horizon, so be sure to use the bubble level on your tripod if it has one. I don’t have the 10-18 but in general, a zoom lens is trickier to shoot with because if you accidentally change the focal length while shooting, it could be harder if not impossible to stitch. They are in motion and, if captured in more than one frame, can cause grief for the stitching process.
I've found a Microsoft box and tried ICE. In the case of the Essex Skyline, I had to use a 37 degree tilt, whereas the Vincent Thomas Bridge, I used a 40.5 degree tilt. I've done panoramics like that using a laser rangefinder and hoping that the guys who put out the concrete sidewalks were working precisely parallel to the building—big assumption. Just like auto won’t get you the same results as manual mode, there’s no substitute for creating a high-resolution panorama from a DSLR. In a nutshell, the individuals have to be nearly equal distant from the camera to maintain the same scale. Yep, it looks like we have lots of panoramic photographers lurking around the B&H website! I’m on the fence between continuing to use a 360 camera or the Sony A6600. I’m sure the result is much better. What is the best source on using equipment such as a tilt and shift lens like this one for Sony A6600 https://www.bhphotovideo.com/c/product/1165602-REG/venus_optics_laowa_15..., and this panning clamp:https://www.bhphotovideo.com/c/product/1301157-REG/really_right_stuff_pc...? I have read of a setup where the photographer mounted 6 cheap P&S cameras to a board each with a fixed orientation so take 6 simultaneous shots that could be merged. Thanks for sharing. If you want a more economical panoramic head, the SunwayFoto one works. Could you make some comments on the software you favor to do the stitching.
I thought it is completely enough for good quality virtual tours. Lens suggestions for multi-row panoramic head. It feels strange to do it the other way. © Nick McGuire. Navigate to the folder which contains the photos you wish to create your panoramic image from. To understand the importance of overlapping, you have to understand what the software does. Hope you enjoy this tutorial.
Like many things in the photographic world, you can make a panoramic photo without any gear at all, outside of your camera. Almost every point-and-shoot, mirrorless, DSLR, and smartphone camera has built-in panoramic modes. Camera pictures are so much better. This is an old post but i still hope you see this and get back to me. In Photoshop, I create a Photoshop action by recording the following steps: You Too Can Learn from the Legends at IVRPA! But it does not have a distance indicator, and does not have detents for its aperture ring. A blue sky is a great background. Once you’ve clicked on the folder where your photos are stored, the photos will be displayed as thumbnail previews.
The most important aspect of panoramic photo, however, is getting the best shots on camera. Best regards, Mic. But the professional photographers can land up on the novel destination of manual mode and definitely they should have good technical knowledge over such things. Stitched resolution (when used with a 24mp camera): around 30mp.
By all means, use a tripod, but if you are out in the field without one and a panoramic is begging to be captured, don’t let the lack of support deter you! TILT CAMERA DIAGONALLY TO GET THE MAXIMUM VERTICAL RESOLUTION Check back in a few days because I’m going to post a comparison between popular 360 cameras and 360 photos from a panoramic head, using a few different fisheye combinations, to help you choose a 360 camera and/or fisheye lens. Great videos as always! Moreover, when it’s time to upgrade, you can use the same lens and panoramic head. How to take panoramic photographs? Question: What about printing the final image? With this photo, because I was on a race against a setting sun, the exposure kept on getting darker and darker, and the change in exposure is noticeable from frame to frame. It should have capacity for good white balance. These similarities are aligned, after which the pictures are blended into one panoramic picture. Set your camera to manual mode and manual focus and put it up on a tripod. 5) Use the horizontal guide to guide you in rotating the image until you find the angle that gets you a level horizon. Thanks for input on Hugin.
Panorama of New York City skyline from a Williamsburg rooftop, taken with a Nikon D90. The quality of the panoramic pictures I take with my camera is far better than of those taken with my mobile phone. An image that is completely sharp is said to be in-focus. Wow! I have that problem all the time in my ocean shots. Filters Your awesome polarizing filter might make that sky and those clouds pop, but as the camera changes angles on the sun, the polarization will shift as well. This technology is quite popular today and is often used by professional photographers, landscape photographers and architectural photographers as well. Often, one part of the landscape is brighter than others. You will get this option in your panoramic photography gear. The article mentions the trick on confining a moving object to one frame, but Nick seems to have found another way. I’m working on reviews for both of these cameras. Another tip that should be obvious: don’t move too much.
Hopefully this guide will help. Will you do one on photographing groups of people and/or objects in the foreground? To reduce parallax effects, avoid close foreground objects, use a camera system that allows the lens to stay stationary while the film or sensor is moved behind it the way a view camera permits, or ensure your camera is panned about the lens’s no-parallax point using a specialized panoramic mounting system that allows sliding adjustments to the camera. Below is a summary of common panoramic gear. After the Lens Correction, you can also crop the image into a rectangle. The way this method works is to take a series of overlapping individual images, or tiles, that are then stitched together to provide a seamless single panoramic image. Choose your scene and then make sure you don’t include any moving objects or foreground elements in the photos. 6 gopros seem to provide excellent detail and since they are in a rig, the stitching in ptgui should be easy. The most important aspect of panoramic photo, however, is getting the best shots on camera. To get a dark frame, I simply hold my hand over the lens while I shoot an exposure at the manual settings I will be using for the panorama. Gen. #0907906. Good pano software can also make up for the lack of perfectly level mounting, though it can lessen the height of the resulting panorama. Thanks for the compliment and your question. A standard 50mm lens is often perfect for panoramas. As we discussed above on the subject of parallax, many of these panoramic mounting systems are designed to rotate your camera and lens system precisely about the no-parallax point of your gear, once you set it up correctly. If you want a more in-depth look, please head over to this partner article. • SHOOT WITH EITHER MIRROR LOCK UP, TIMER, OR SHUTTER RELEASE CABLE
This isn’t always the case. Claudio, Hi Claudio. © Todd Vorenkamp. Expose for your scene manually and don’t change the exposure between shots. Regardless of the mode you choose, check your histograms and look for clipping in all channels. I was thinking that once you found the nodal point during the calibration that the camera could be removed, then you could move to a new scene, put the camera back on in the exact same spot and you wouldn’t have to find the nodal point again. For the Vincent Thomas Bridge panorama, I used a 70mm focal length from the Nikon AF-S Nikkor 24-70mm f/2.8G ED Autofocus Lens on the Nikon D600. This will give you a more straight-forward shot that is easier to stitch. Wide-angle lenses also work well, but require shooting and stitching more images. Do you have any advise for all of this. Load the images from the center of the dialog box. I’m glad to hear you found my tips helpful. You click on the image below to see the final image. Also, tilt the camera diagonally to maximize the vertical resolution. Now I know even more! However, if you do not have a panoramic mode on your camera, or if you want to have the ability to stich together raw images to form your panorama, you can always create your own panoramic images manually. I would only add two comments for consideration: 1- Best FREE pano stitching software is Microsoft ICE. Almost every point-and-shoot, mirrorless, DSLR, and smartphone camera has built-in panoramic modes. Many people don’t know how this is done. I’ve taken portrait format pictures with plenty of overlap. The term “panorama” literally means “all sight” in Greek and it first originated from painters that wanted to capture a wide view of a landscape, not just a certain part of it. Pay attention to moving boats and ships and try to make sure that you have them contained entirely in a frame instead of at the edge where they might appear in two or even three images as they move through the scene. DSLRs and interchangeable lens cameras can often shoot in Raw. This is a way just for high level professionals. You are everywhere :). Also, you should get less distortion. I’ll give this a try! That’s it—while creating a panorama with a DSLR certainly takes more time than snapping a single photo or using a smartphone app, the results are well worth the extra effort. If you do that you will get the best panoramic scene. Premium Membership
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