posted on: October 19, 2020
Inspired by his words, this list represents some of the most impactful songs, albums and mixtapes by Southern rappers. It was a rather wise choice: Southern hip-hop and R&B has had an affinity for the marching band look and sound for decades, and the single, with its brassy production, was primed to become an anthem. One of the rare 20+ track masterpieces, Tunechi — ever the avid sports fan — notched a Game 7 triple double, walk off grand slam and quarterbacked a Cash Money classic. His fan base was rabid for him to continue with the same type of music, and he could have done as much with fine results. —Brandon Caldwell, "Shawty" is Plies' magnum opus. Of all of Memphis' rappers, Gotti's longevity and hustle most embody the Black city's strivings to elevate from surviving to this kind of capacious sustainability he prophesized and manifested for himself. UGK (short for Underground Kingz) were a hip-hop duo from Port Arthur, Texas, USA. One, Lil Wayne's run from 2004 until he reported to Rikers Island in 2010 for a gun possession charge is a run that very few artists in any genre have ever been able to replicate, in quality or quantity. Equally as important, it created a bidding war to secure Ross' talents, eventually won by Jay-Z and Def Jam. "International Players Anthem (Instrumental)", For participation and sponsorship opportunites, please email, Per sponsorizzazioni o se hai un negozio di dischi tradizionale e vuoi partecipare al Record Store Day manda una mail a. This song was made for those who rock fresh Nike Air Force 1's, baggy jeans, tall tees and flashy grills as seen by Parlae, Pimpin', Jizzal Man and Buddie in the iconic visual. I remember hating this song because it ripped off Project Pat's "I choose u" but damn do I love it. The lightness and playfulness of the steel pan drum balanced out Yola's cocky and self-affirming rhymes about street life and staying on top. To paraphrase Drake and apply it to Boosie's career, Pimp C could not have found him a better successor. ", Did Ross really know the real Manuel Noriega? On “Choose U,” as opposed to “Int’l Players Anthem,” DJ Paul and Juicy J each spit verses. Save for a handful of detours to speak directly to the women listening — with tracks like the desirous lead single "Give Me That" and the timeless twerk anthem "Like That," which has been interpolated by underground artists like SpaceGhostPurrp and Robb Bank$ and mainstream supernovas like Megan Thee Stallion and Beyoncé (who's actually shouted out on the song) — most of the album is spent flexing on his contemporaries. Formed in 1987 by long-time friends Chad “Pimp C” Butler and Bernard “Bun B” Freeman, they were highly respected by many of their peers, due in part to their longevity and their entrenchment in hip-hop’s underground. —Justin Tinsley, Killer Mike's career was over. (Zay is one of Gucci's oldest collaborators; he produced the entirety of EA Sportscenter, the mixtape "Bricks" first appeared on; he told Red Bull Music Academy that this was the first track in the marathon session that also birthed OJ da Juiceman's "Make the Trap Say Aye.") Instead, he pushed himself to put out a project that was just as relevant and a resounding declaration that quote unquote rap with substance can sound like rap about substance. From second one, the song sounds like an all-out party; its deceptively simple production features a steelpan riff and takes full advantage of the snap music movement that was breaking out across the South in the mid-to-late 2000s. It's also indicative of the rapper's fabled work ethic which allowed him to record enough music in advance to keep feeding the streets through several stints of incarceration. Andre's refusal to rap over Pimp C's drums help make his closing statements before tying the knot sound like a preamble, while Bun B argues his case to "get down with the team" rather than settle for less. That first verse by Andre 3k has to be one of the greatest ever. "International Players Anthem (I Choose You)" by U.G.K. Life through the eyes of the man born Torrence Hatch Jr., and all the experiences that came to define his music. The track, which climbed to No. The key to Gotti's quarter-century career might be a minute-long monologue at the end of "We Gonna Be Alright," a song near the album's end that chronicles his family's struggles in the aftermath of the incarceration of Yo Gotti's older brother. Lead single "Shoulder Lean" was a perfect storm of otherworldly production (courtesy of Mississippi's Lil C) and a readymade dance, but the latent power of both song and album was Dro's breathless command of similes and metaphors. 1 on the Billboard 200 charts. The pack in and I'm working." In regaling listeners with his colorful tales of the trap and the spoils of war, he framed his life as a true American rags-to-riches success story. As critics scrambled to get hip to the Atlanta-born "futuristic swag" and "teen bop" scenes Rich Kidz were a part of, ultimately the appeal behind "Wassup" was simple: Yes, being part of a clique that can spend a stack at a time at Lenox Mall is still how any teen would hope to spend their summer, but more importantly, their buoyant approach to rap felt like a portal to a new era. The first mixtape in the series was released in September 2008, as he began serving a 6-month sentence, but it would prove sufficient to hold fans over. Let's also not forget it's Grammy Nomination. A true jackin-for-beats legend, he raps over Beyoncé songs, '90s rap songs and a Mike Jones song that you don't even remember as a Mike Jones song anymore; such is the way of Lil Wayne. and the most critical disdain. And "F*** You" featured one of the too-few collaborations between Pimp C, Webbie and Boosie. Such a stellar collaboration between two legendary groups. The distinction comes into focus with Jeezy's Trap or Die mixtape and the album it birthed, Thug Motivation 101. History is something that “Int’l Players Anthem” is soaked in. Rich Boy's heavy Southern Alabama drawl was like another instrumental element in the production, turning lyrics like "Don't you see the big chain, don't you see the big rims? Suddenly, Georgia-famous deejays Anthony Platt (aka Unk) and Montay Humphrey had cred for more than re-enlivening crunk with their invitation to the nation's dance floors for a celebration of every side of ATL. It's a dark song about drugs and addiction and things that go bump in the night, seemingly by a thing that goes bump in the night — "I tell myself there's nothing wrong / But I just keep gritting my teeth / I can't sleep, I can't eat / I just geek, I just geek," Fabo rasps, belying the idea that snap was all fluff just because kids danced to it. / Three 6 Mafia, another classic baby / Put some South in your mouth / … He's due up any day now. ", Although the track is a tribute to Doug E. Fresh, the dance was unquestionably linked to Dallas's boogie era when clubgoers were instructed to "Do The Ricky Bobby," dip to "Rack Daddy," shift to "Do Da Stanky Legg" and finish with "Check Out My Lean" by B-Hamp, Fat Pimp, Them GSBoyz and Lil Shine, who brought boogying to the Billboard Hot 100.
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