the rhythm section review guardian

posted on: October 19, 2020

The strength of the actress's work in The Rhythm Section is a common thread in many of the reviews for the film. She manages to make corny lines work – ‘How would you do that?’ she's asked of her mission and replies, ‘Violently’ – and convinces in the brutal one-on-one fight scenes. Awards That approach to this kind of character sets The Rhythm Section apart from many of its contemporaries. The James Bond comparisons are not surprising given that The Rhythm Section comes from Eon Productions, which also makes those spy films. A revenge tale sparked by an unthinkable act of global terrorism — the downing of a passenger jet — the novel’s shock and awe seems almost quaint in a post-9/11 world. Variety's Peter DeBruge also appreciated Reed Morano's film, especially the approach to the lead character and Blake Lively's performance in the role. Probably not. So as you can probably tell, critical consensus is fairly hard to come by on this one. One critic who found those weaknesses particularly offensive was The Chicago Sun Times' Richard Roeper. We'll see starting this weekend if The Rhythm Section can pull a Taken and kick off a franchise. Netflix’s Enola Holmes Reviews Are In, See What Critics Are Saying, Ryan Reynolds Has The Perfect ‘Apology’ To Blake Lively After Selling Aviation Gin, Looks Like The Batman’s Time Setting Has Been Revealed, Lorne Michaels Reveals How SNL Had To Scramble After Donald Trump Tested Positive For COVID-19, Top Gun: Maverick Star Tom Cruise Is Being Honored By Navy Ahead Of Its Release, How The Conners' Katey Sagal Fought To Keep Louise Around Despite Landing New TV Show, How Fargo’s E’myri Crutchfield Was Inspired By Timothy Olyphant, And What’s Coming Next For Ethelrida And Oraetta, Armie Hammer, Lily James | Netflix's Rebecca Interviews, Ken Jeong, Phillipa Soo, Margaret Cho And More Talk Netflix's Over The Moon, Kevin James, Noah Schnapp, Maya Rudolph, Tim Meadows & More | Hubie Halloween Interview, Schitt's Creek Ending: How Things Ended For Each Major Character, All The Haunting Of Bly Manor Ghosts Explained, Dune’s Timothee Chalamet Has Set The Record Straight On Those Viral Makeout Photos With Lily-Rose Depp, Spider-Man 3: Sony Responds To The Wild Rumors About Tobey Maguire, 10 Great Movies Available On Plex Right Now, Looks Like Netflix Is Even Canceling Shows That Hit Its Top 10 List Now, Taylor Swift And Creative Team Talk How Characters Named After Ryan Reynolds And Blake Lively’s Kids Connect, 'Betty' May Be Named After Ryan Reynolds And Blake Lively's Kid, But Taylor Swift Clarifies It's Not An LGBTQ Love Story, Plantation Responds After Ryan Reynolds And Blake Lively Say They Are ‘Deeply Sorry’ For Wedding There, After Taylor Swift Revealed Ryan Reynolds And Blake Lively’s Baby Name, Blake Writes Long Tribute To The Album, For details on Gateway Blend's privacy and cookie policies, please visit our.

| This Eon-produced film could have been the perfect vehicle for a double-X double-0. The Rhythm Section is clearly not perfect and it really comes down to whether you think the strength of the action and Blake Lively's performance outweighs the weaknesses of script and story. But according to Mike, The Rhythm Section is something different, something that is brutal and brilliant. What remains is a more streamlined tale of personal empowerment, in which Lively’s Stephanie Patrick pulls herself from destitution to become an avenging instrument of death. The Rhythm Section never loses the beat. In fact, she's pretty bad at first and basically stumbles her way through. First published in 1999, Mark Burnell’s The Rhythm Section is a thriller from a different era. First published in 1999, Mark Burnell’s The Rhythm Section is a thriller from a different era. The film’s occasional gestures toward pseudo-feminist empowerment only compound the hollowness of its protagonist. Lively’s steely heroine and a propulsive plot ensure you’re never bored, but this is a generic thriller from a simpler time, bulked up by a single strong performance. It’s destined to be viewed on a million long-haul flights, but it works perfectly well as a thriller. Well, that will really depend on who you ask. So the feature film adaptation could in theory be the first of multiple movies. Variety highlighted Blake Lively's performance and it wasn't the only one. A car chase slaloming through the streets of Tangier feels strangely inert, and a major confrontation on a bus is reduced to slightly rude shoving, followed by some rolling about on the floor. Twenty years ago this would have passed as a decent potboiler; in 2020, though, it feels too simplistic, and it’s this lack of sophistication that ultimately makes The Rhythm Section lose its beat. It’s destined to be viewed on a million long-haul flights, but it works perfectly well as a thriller. Fairly well according to The Guardian 's Peter Bradshaw, who gave The Rhythm Section 3 out of 5 stars in his review and said: [Reed] Morano puts together good fight … Instead, her transformation is largely psychological, Lively bringing a steely determination to the character while retaining a core of vulnerability that, even during a messy assassination, leaves her jittery and anxious. Unlike Nikita’s, though, Patrick’s metamorphosis is refreshingly modest. Those convoluted goings-on cited by Frank Scheck proved to be too much for some critics, with the weakness of the film's script popping up in multiple reviews for The Rhythm Section. In his review Peter wrote: The plot may be boilerplate in this female-driven revenge thriller, but Blake Lively sells it, playing an action hero who fights like a real person: badly. Will you remember it in a few weeks and count down the days until you can see it again? It makes sense, then, that Burnell has attempted to strip out much of the story’s more anachronistic elements in adapting it for the screen. CinemaBlend’s own Mike Reyes was a fan though and gave The Rhythm Section 3.5 out of 5 stars in his review.

Forbes' Scott Mendelson wrote: The Rhythm Section isn’t concerned with franchise-set up or worldbuilding. Which is brilliant, considering the world has wondered if we’d ever get a female James Bond, and Mark Burnell’s screenplay (based on his very own novel) proves that we don’t need one. The Rhythm Section is based on a series of books by Mark Burnell who adapted his own work for the movie’s screenplay. Check out our 2020 Release Schedule to keep track of all this year's biggest movies and for the latest entertainment news, stay tuned to CinemaBlend. “The Rhythm Section” comes from James Bond producers Michael G. Wilson and Barbara Broccoli, and it features the kind of globetrotting, espionage and tangles with an international array of bad guys you’d expect from a 007 movie. 710067). She’s shown more of her talent and range in movies like The Shallows, The Town and A Simple Favor, but this weekend you’ll be able to see the blonde bombshell as you’ve truly never seen her before in The Rhythm Section.

Opting for a Greengrass-light handheld style, the fight sequences are deliberately messy, but languid edits drain most of the excitement. BBut this time it may actually be true. Digital Spy's Ian Sandwell gave The Rhythm Section 3 out of 5 stars and wrote: Through it all though, The Rhythm Section is propelled by a compelling performance from Blake Lively…Following on from the excellent A Simple Favor, it's another dark role for her and it's clear she relishes playing against type. See all external reviews for The Rhythm Section (2020). The movie is made well, if you’re buying what it’s selling, and if you don’t consider a story or a script as crucial to the quality of a thriller. VAT no 918 5617 01, Bauer Consumer Media Ltd are authorised and regulated by the FCA(Ref No. The Rhythm Section is an ironic title for this movie, which ultimately hits all the wrong beats and is off-balance from the start. Mike wrote: The Rhythm Section and Blake Lively’s Stephanie Patrick are given a truly R-rated start to something rougher than most spy films we've seen. While many audience members might not know it, The Rhythm Section is the first in a series of books. The Rhythm Section is wonderfully acted by Blake Lively and immersively directed by Reed Morano, creating a tense and mostly engaging thriller.

Morano puts together good fight scenes, robust stunt work and tasty car chases. Despite a game performance by Lively, The Rhythm Section is a junk pile of missteps, from the convoluted screenplay that hops from locale to locale in Advil-inducing fashion to the overly stylized directing to the self-consciously “cool” oldies pop music selections. Following a delightfully cold-blooded turn in Paul Feig’s A Simple Favour, Lively throws herself into the central role, layering the traumatised Patrick with guilt and self-loathing as she turns tricks in a seedy London walk-up (a sequence gifted an earthy realism sadly missing thereafter). User Ratings With all the talk of a female Bond, this Eon-produced film (the first in a series of Patrick novels by Burnell) could have been the perfect vehicle for a double-X double-0. This isn’t an easy role, but Lively aces it. After her entire family is wiped out in a terrorist attack, student Stephanie Patrick (Blake Lively) falls apart.

Otherwise it's probably 50/50. The rapport between Law and Lively allows the movie both to relax and pick up the pace. He’s also still looking for The Adventures of Pete and Pete season 3 on DVD if anyone has a lead. The first reviews for The Rhythm Section are in and critics are divided on this one. Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141, Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328, Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales. Three years later, having hit rock bottom and now working as a prostitute, she’s approached by a journalist (Raza Jaffrey) who offers new information on the attack, and possibly a chance at revenge. User Reviews Full Review. So, how is it?

“The Rhythm Section” features lots of terse, no-nonsense dialogue but some pretty corny voiceover — like the howler Lively’s obliged to recite to explain the film’s title. Straightened out and hammered into shape by gruff Bear Grylls-alike Iain Boyd (a slightly miscast Jude Law), Patrick is, in true Nikita fashion, forged anew, here posing as an international assassin to root out her family’s killer. Lively’s steely heroine and a propulsive plot ensure you’re never bored, but this is a generic thriller from a simpler time, bulked up by a single strong performance.

It seems that Blake Lively more than proves her action chops in The Rhythm Section and manages to elevate the film despite its flaws. The Rhythm Section takes well-worn genre material and removes all the substance and ingenuity, leaving behind only an undeveloped plot, a blank main character, and a sense of gravitas that is entirely unearned. | Director Reed Morano (The Handmaid’s Tale) ensures the camera sees Patrick without ogling — even a scene in which she poses as an escort is deliberately desexualised — but it’s in the film’s action that the direction falls flat. Fairly well according to The Guardian's Peter Bradshaw, who gave The Rhythm Section 3 out of 5 stars in his review and said: [Reed] Morano puts together good fight scenes, robust stunt work and tasty car chases. Most audiences probably know actress Blake Lively as the star of Gossip Girl and films like The Age of Adaline. Unlike Daniel Craig's James Bond or Liam Neeson's Bryan Mills or Charlize Theron's Lorraine Broughton, Blake Lively's Stephanie Patrick is not a highly-skilled, cold-blooded assassin. External Reviews. Nick grew up in Maryland has degrees in Film Studies and Communications. All in all, The Rhythm Section is a worthwhile espionage film and an entertaining enough way to spend an hour and 49 minutes. He gave The Rhythm Section 1.5 out of 4 stars and wrote: Despite a game performance by Lively, The Rhythm Section is a junk pile of missteps, from the convoluted screenplay that hops from locale to locale in Advil-inducing fashion to the overly stylized directing to the self-consciously 'cool' oldies pop music selections. Despite Burnell’s updates, the geopolitics are inauthentic and the core of the story — that of a woman re-discovering her own identity through becoming someone else — never quite lands. Revenge movies never go out of style and this one from The Handmaid’s Tale director Reed Morano stars a nearly unrecognizable Blake Lively as a broken woman named Stephanie Patrick who finds a new violent purpose when she discovers that the plane crash that killed her family was not an accident. We've heard about Blake Lively's performance, but this is a revenge spy thriller and if you've seen the trailers for The Rhythm Section you know that there is plenty of violence and action in this movie. Fortunately, there's Lively, adopting a convincing British accent, who almost, but not quite, manages to infuse the convoluted goings-on with enough gravitas to make them convincing. So how do those elements stack up? FAQ Even after months of training in the Scottish Highlands, she’s just a woman on a mission, never trying to sell the idea that a few Tough Mudders could turn her into Jason Bourne (a point made clear by a particularly brutal fight lesson over porridge). The central performance is rock solid and there’s enough style and directorial flair to make it worth your time. However, for some critics even a great performance doesn't make up for The Rhythm Section's story failings.

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