tv shows on hulu


posted on: October 19, 2020


Some episodes hit higher notes than others, and yes, in the series’ lifespan there have in fact been a few off-key episodes intermingled with the others.
She lived by herself! This shabby little dive seems to hold a special spot in the dingy town’s heart.

As the series progressed, Patty’s relationship with Ellen only grew more complex and dysfunctional. Not every sketch was political, and not every sketch was a hit, but at their best, Keegan-Michael Key and Jordan Peele hilariously attacked issues few other comedians or shows would dare to touch. We laugh with, but never at, the DiMeo family. —Josh Jackson, Created by: Bridget Carpenter Stars: James Franco, Chris Cooper, Sarah Gadon, Cherry Jones Original Network: Hulu, When it comes to adapting Stephen King for television, the various attempts over the past 30-odd years could politely be characterized as “iffy.” Then, along came Hulu’s 11.22.63—based on King’s celebrated 2011 novel—to majorly screw with that quality curve.

Mrs. America is juggling a lot, but it never feels like too much. More notably, Spaced arguably served as the first post-modern sitcom in terms of how it employed specific, cinematic vocabulary as an extension of the characters’ interior lives (i.e. Carson, John Henton, Mel Jackson, Kim Fields Original Network: Fox, In a ‘90s kind of world, I’m glad I’ve got my girls!

Speechless effortlessly avoids any cloying very special episode mentality. When Al is unable to continue the mission, Jake assumes the mantle and travels back to 1960, where he must spend the next three years meticulously plotting to hinder Lee Harvey Oswald’s world-changing murder, all while the forces of time throw obstacle after obstacle in his path. Well, there was the chicken dance, for starters. Equality is at the heart of Mrs. America. The whip-smart and misanthropic Daria Morgandorffer was a heroine for a generation whose favorite refrain was “whatever,” as she navigated the suburban town of Lawndale, the irritation of her uber-popular sister Quinn, and her clueless work-obsessed parents. With the help of Angelo Badalamenti’s haunting score and the atmosphere created by the set designers, you spent the entirety of the two seasons waiting for something terrible to happen to everyone on screen. We were caught in the thrall of Vic Mackey’s reckless, self-serving corruption long before Game of Thrones made character survivability a guessing game, and Breaking Bad made us root for ethically suspect protagonists. They’re that for certain, but they take the concept of finding one’s “person” (originally defined by another great TV friendship, that of Meredith and Cristina on Grey’s Anatomy) to a new level. Beautifully shot with some of the tensest, most anxiety-inducing scenes since The Americans, the series’ lead-up to Abel Archer will leave you sweating—nevermind what it does to poor Martin. By the end of the series’ 12-season run, Sipowicz could have spent an entire episode saying nothing at all, and we still would have known exactly what he was thinking. It isn’t just that it brings up issues like depression, post-traumatic stress disorder, dead relationships, and getting older with the same candid realism that it aims at sex scenes and the absurdity of the Los Angeles film industry alike. War is surely ugly, but the going is easier with a trusted, hilarious comrade by your side. But TNG was head-and-shoulders the greatest Star Trek franchise (And one of the best sci-fi series of all time). In the recovering alcoholic who suffered more than Job, Dennis Franz created one of television’s best and most iconic characters. In some, it is superior; a vivid, graphic entertainment that’s no less profound than Simon’s musings on Baltimorean crime and punishment. How did she die? They’re hilarious, and there are moments when you entirely forget they’re adults. —Ross Bonaime and Allison Keene, Created by: James L. Brooks, Allan Burns Stars: Mary Tyler Moore, Ed Asner, Valerie Harper, Gavin MacLeod, Ted Knight, Betty White, Cloris Leachman Original Network: CBS, Even if you were born long after the show premiered, you probably are familiar with its most iconic moments—Mary triumphantly tossing her hat in the air, the death of Chuckles the clown, or the traveling group hug that ended the series. It’s become commonplace now for TV shows to play with time and the sequence of events—to start at the end and work their way backwards. Yvette Lee Bowser, a producer on A Different World, drew on experiences from her life to create Living Single, which followed six single black twentysomethings living in a brownstone in Brooklyn, N.Y., and figuring out their personal and professional lives. Our editorial content is not influenced by any commissions we receive. The series begins quietly and expands greatly over the course of its seasons, but it has never lost the emotional core that explores the lives of a black family in the south. —Jon O’Brien, Created by:Kurt Sutter Stars:Charlie Hunnam, Katey Sagal, Mark Boone Junior, Dayton Callie, Kim Coates, Tommy Flanagan, Ryan Hurst, Johnny Lewis, William Lucking, Theo Rossi, Maggie Siff, Ron Perlman Original Network: FX, Take the hooker-with-a-heart-of-gold archetype, replace the hooker with a rough-around-the-edges bike club set in the ironically named town of Charming, California, add a conscience and things always going wrong, and you have the basic setup for Sons of Anarchy.

Trepagny, however, has more than an edge of camp; he embodies it. Many series have clearly been (and still are) influenced by the wacky adventures of Lucy and Ricky Ricardo, but I Love Lucy also played a major role in what would become a staple of the sitcom genre—reruns and syndication, born out of necessity after Ball became pregnant while filming. And it only made those moments—when things did go sour—feel that much worse. But an unexpected event in the first episode forces Annie to reassess her life and flips the proverbial script on the “fat woman” story TV and movies are so fond of telling.

Stars: Pamela Adlon, Mikey Madison, Hannah Alligood, Olivia Howard, and Celia Imrie Original Network: FX, Pamela Adlon’s almost experimental comedy has never generated the excitement of its network counterpart, Atlanta, but it’s no less novel for elaborating a multigenerational portrait of women in which sex and romance are not the determining factor in life’s equation.

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