posted on: October 19, 2020
Stay on top of the latest breaking film and TV news! The studio is baking in a big 71% drop today thanks to competition with the Super Bowl, so it may end up doing just a little better than predicted. 10 with a disastrous $2.8 million. “Gretel and Hansel” was also bruised by poor word of mouth after landing a “C-” CinemaScore. Variety and the Flying V logos are trademarks of Variety Media, LLC. More importantly, this is 11% higher than the same weekend last year and that helped 2020 extend its lead over 2019 to 8.9% / $77 million at $945 million to $868 million. At the specialty box office, Harvey Weinstein-inspired drama “The Assistant” launched to $84,702 when it debuted in fourth theaters, averaging $21,176 per location. Charlie Kaufman Jumps from Netflix to Amazon with 'Memory Police' Script for Reed Morano A few more weeks like this and Iâll actually become optimistic about the yearâs box office chances. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. The film follows Universal’s “Doolittle” as one of the first major bombs of 2020. 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Release Date Jan 31, 2020 - Feb 20, 2020. Universal also secured the No. are available through our research services. Bad Boys for Life will easy lead the way after pulling in $5.19 million on Friday. However, Paramount only spent $30 million for distribution rights. A woman seeks revenge against those who orchestrated a plane crash that killed her family. It’s challenging to get audiences to show up for an unknown cinematic entity when the presumption is that it won’t provide escapism. The overall box office fell 33% from last weekend, hitting $81 million; however, an extreme decline like this is to be expected on Super Bowl weekend. MPAA R. Running Time 1 hr 49 min. All Time Domestic Box Office (Rank 6,101-6,200), All Time International Box Office (Rank 10,301-10,400), All Time Worldwide Box Office (Rank 8,501-8,600), All Time Domestic Box Office for R Movies (Rank 2,101-2,200), All Time International Box Office for R Movies (Rank 2,301-2,400), All Time Worldwide Box Office for R Movies (Rank 2,401-2,500), Super Bowl (Opening, 3-Day, Inflation Adjusted), DVD and Blu-ray Releases for April 28th, 2020, VOD Releases: Go on a World Tour from Your Own Home, Weekend Wrap-Up: 2020 Suffers Its First Loss, Weekend Wrap-Up: Bad Boys Still Feeling Good, New Releases are Bad and Worse, Weekend Estimates: Bad Boys Enjoy Life at the Top, Friday Estimates: Bad Boys Beat Up Newcomers, Thursday Night Previews: Gretel Gets off to a Faster Start than Rhythm, Weekend Predictions: The Box Office Looks far from Super, All Time Domestic Inflation Adjusted Box Office (Rank 6,201-6,300), All Time Domestic Non-Sequel Box Office (Rank 5,401-5,500), Top 2020 Movies at the Domestic Box Office, All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 1,201-1,300), All Time Domestic Box Office for Live Action Movies (Rank 5,301-5,400), All Time Domestic Box Office for Contemporary Fiction Movies (Rank 3,101-3,200), All Time Domestic Box Office for Thriller/Suspense Movies (Rank 501-600), All Time Domestic Box Office for Paramount Pictures Movies (Rank 501-600), All Time International Non-Sequel Box Office (Rank 9,501-9,600), All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 1,401-1,500), All Time International Box Office for Live Action Movies (Rank 8,601-8,700), All Time International Box Office for Contemporary Fiction Movies (Rank 5,301-5,400), All Time International Box Office for Thriller/Suspense Movies (Rank 801-900), All Time International Box Office for Paramount Pictures Movies (Rank 301-400), All Time Worldwide Non-Sequel Box Office (Rank 7,601-7,700), All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 1,501-1,600), All Time Worldwide Box Office for Live Action Movies (Rank 7,301-7,400), All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 4,401-4,500), All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 701-800), All Time Worldwide Box Office for Paramount Pictures Movies (Rank 501-600), 2.00 (domestic box office/biggest weekend), $50,000,000 (worldwide box office is 0.1 times production budget), 3,049 opening theaters/3,049 max.
This isnât surprising, as horror movies tend to be more front-loaded than nearly all other genres. Read Next: Paramount Studios Police Stand-Off Ends With Suspect Taken Into Custody, ‘Doctor Strange’ Sequel Casts ‘Baby-Sitters Club’ Star Xochitl Gomez, Elegance Bratton to Direct Documentary ‘Hellfighters’ (EXCLUSIVE), Jake Gyllenhaal, Jeremy O. Harris, Laura Linney and More Celebrate Tony Award Nominations, highest-grossing installment in the series, Brian Wilson Disavows Trump’s Beach Boys Benefit in California (EXCLUSIVE), Beastie Boys License a Song for an Ad for First Time Ever, for Joe Biden Spot Focused on Live Music Shutdown, ‘Avengers’ Cast Assembles for Joe Biden Fundraiser, ‘The Vow’: What Happened to Keith Raniere, Allison Mack and Other Key Figures, ‘The Vow’: What the Finale’s Surprise Twist Means for Season 2, Bruce Willis Stars in Commercial for ‘Die Hard’ Car Batteries. Movies that confronted toxic masculinity (Ad Astra, Stuber, The Art of Self Defense, even THE LEGO Movie 2) struggled to break out while Good Boys, which merely presented kids who weren’t jerks and were unfazed by changing social mores, flourished. Meanwhile, the two new releases, Gretel and Hansel and The Rhythm Section, both bombed to varying degrees. Daily | I have extensively written about all. BoxOfficeMojo.com by IMDbPro - an However, Paramount only spent $30 million for distribution rights. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. But its chief commercial flaw was that it wasn’t an empowering action thriller but a defeatist passion play. 3 slot with “Dolittle,” the $180 million family film starring Robert Downey Jr. as a vet who can speak to animals. In a few years, we might look back at this week as the week the movie industry changed fundamentally, if this film is a big enough hit to convince studios that theatrical releases are unnecessary. Oz Perkins directed the dark adaptation, featuring “It: Chapter Two” actress Sophia Lillis in the new version of the classic fairytale. That said, it still dominated the box office with a huge lead over the second place film, 1917. But one huge obstacle was that it was a female-led action movie that subverted its genre, denied audiences what they might have wanted to see and operated as a 109-minute bummer. A woman seeks revenge against those who orchestrated a plane crash that killed her family. Meanwhile, Paramount’s “Rhythm Section,” an R-rated action drama starring Blake Lively,” got pummeled by the competition, landing at No.
Out of the seven films that got a traditional theatrical release (Netflix movies “The Irishman” and “Marriage Story” not included), all except “Jojo Rabbit” have crossed $100 million in worldwide ticket sales. In a distant second place, Universal’s “1917” nabbed $9.6 million for a domestic tally of $119 million. Netflix did give its Oscar challengers a small run in theaters, but the streaming services opted to not report numbers. The movie brought in $7.7 million in its third weekend of release, boosting U.S. ticket sales to $55 million. Weekend | The overall box office fell 33% from last weekend, hitting $81 million; however, an extreme decline like this is to be expected on Super Bowl weekend. Directed by Reed Morano. Taika Waititi’s “Jojo Rabbit” is also benefitting from awards attention and has made $28 million in North America. Compare this performance with other movies…. Elsewhere, Sony’s “Jumanji: The Next Level” and STX’s “The Gentlemen” are in a close battle for fifth place. The movie has earned $129 million at the international box office and $249 million globally. That’s doubly true for films for/about women and minorities, since the world is already terrible for many “not a white male” moviegoers. I've studied the film industry, both academically and informally, and with an emphasis in box office analysis, for nearly 30 years. Luckily, Orion Pictures spent about $5 million to produce the film, so it’ll have a smaller path to profitability. 3 slot with “Dolittle,” the $180 million family film starring Robert Downey Jr. as a vet who can speak to animals. “We are obviously disappointed with the box office,” the Eon producers said to Deadline, “but we’re proud of Reed and our movie and the overwhelmingly positive reaction to Blake’s performance.”, While reviews for “The Rhythm Section” were mostly negative (the film has a 32% Rotten Tomatoes score from 115 reviews), IndieWire’s Kate Erbland was more positive in her B-grade review. As a whole, the nine Academy Awards contenders hoping to take home best picture on Feb. 9 have also been populist favorites. Fresh off its seven BAFTA wins on Sunday, “1917” will cross the $250 million mark on Monday. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainmentâs history. She’s hopelessly outmatched in the fights, shoot-outs and chases, a novel choice that only adds to the suspense and tension. Opinions expressed by Forbes Contributors are their own. That said, I am really looking forward to Elvira: Mistress of the Dark and I wonât have to wait long, because the screener is on its way. Universal also secured the No. Paramount is hoping their spy thriller The Rhythm Section makes sweet music at the box office next weekend, but it’s likely to face an uphill battle.Reed Morano directs Blake Lively as a woman investigating the death of her family in a plane crash. More... Gretel and Hansel got off to a faster start than The Rhythm Section did during Thursday previews. International | Meanwhile, “The Gentlemen” has made $20 million after two weeks in theaters. The reimagining of the Brothers Grimm folklore debuted to a muted $6 million from 3,007 theaters, enough to land in fourth place. But I would argue a major reason why it stumbled was that it was aggressively depressing. Follow me at @ScottMendelson and "like" The Ticket Booth on Facebook. Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. The film was saddled with a 30% on Rotten Tomatoes, while audiences gave it a “C+” CinemaScore. Variety and the Flying V logos are trademarks of Variety Media, LLC. The reimagining of the Brothers Grimm folklore debuted to a muted $6 million from 3,007 theaters, enough to land in fourth place. The movie, written and directed by Kitty Green, follows Julia Garner as a recent college graduate who gets hired at a film production company. Action One day after The Rhythm Section posted the lowest box office debut for a film that opened in more than 3,000 theaters, the director and producers are responding. The film had the backing of James Bond producers Barbara Broccoli and Michael G. Wilson of Eon, who reacted to the poor box office by trying to find the silver lining. Blake Lively’s The Rhythm Section opened with $2.8 million over the weekend in 3,049 theaters, the worst opening ever for a 3,000-plus screen release. IMDb While Rhythm Section wasn’t political, it wasn’t remotely a good time. I have extensively written about all of said subjects for the last 11 years. This weekend’s other new release, “Gretel and Hansel,” also had an underwhelming — though slightly less painful — opening weekend.
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