posted on: October 19, 2020
Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins. "), "Ich kann nicht sitzen und ins Dunkel starren." Musically, Elektra deploys dissonance, chromaticism and extremely fluid tonality in a way which recalls but moves beyond the same composer's Salome of 1905, and thus Elektra represents Strauss's furthest advances in modernism, from which he later retreated. From "Veronica Mars" to Rebecca take a look back at the career of Armie Hammer on and off the screen. After this angry altercation, Clytemnestra, standing beside an altar, prays to Apollo for wealth, longevity, and, in guarded terms, for the death of her son, Orestes, so that he might not return and disrupt her life. )[citation needed] The other characters are Klytaemnestra, her mother and one of the murderers of her father Agamemnon; her sister, Chrysothemis; her brother, Orestes; and Klytaemnestra's lover, Aegisthus. She asks the gods for the reason for her burdens, but Elektra appeases her by telling her mother that she is a goddess herself. The servants notified her immediately upon his arrival. ("Give way! As Aegisth screams and calls for help, Elektra replies: "Agamemnon can hear you.". Looking for something to watch? "), "Was willst du? Agamemnon is depicted through a triadic motive: This page was last edited on 17 October 2020, at 16:07. Use the HTML below. The scepter grew branches from which leaves grew and overshadowed the land. Schwester!" Orest's Tutor comes and interrupts the siblings; their task is dangerous and anything can jeopardize it. [17], The characters in Elektra are characterized in the music through leitmotifs or chords including the Elektra chord. In this tale Elektra is given an assignment to … By using LiveAbout, you accept our, B.A., Classical Music and Opera, Westminster Choir College of Rider University.
Reisberg, Horace (1975).
She accuses her retinue of being contradictory in their justifications of her nightmares, so she relies on her daughter for a true interpretation. She calls on him to appear to her, promising that she, her sister Chrysothemis and their brother Orest will celebrate his funeral rites when his death has been avenged. He demands that the doors and gates of the palace be opened, so that the citizens can see what he thinks is Orestes's corpse. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal,[1] which he adapted from his 1903 drama Elektra. The sections here follow the DVD chapter breaks of the. Reckless test pilot Hal Jordan is granted an alien ring that bestows him with otherworldly powers that inducts him into an intergalactic police force, the Green Lantern Corps. ("I will not listen! Clytemnestra approaches with a servant who also carries an offering. Arias | We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. Elektra demands the Chrysothemis help her kill their mother and Aegisth, but Chrysothemis cannot commit. Iphigenia's mother Klytaemnestra has thus come to hate her husband.
She thanks the gods and begins to dance for joy. "), "Ich habe keine guten Nächte."
[5] Norwegian musicologist Ståle Wikshåland has analysed the use of time and temporality in the dramaturgy of Elektra. It isn't long until a scream is heard. Alone? [8][full citation needed] These works contrast highly with his earliest operas and his later period. Composers | Along with her paramour, Aegisthus, Clytemnestra murders Agamemnon and becomes worries that their other children Elektra, Chrysothemis, and Orestes will seek to avenge her crime. Visit BN.com to buy new and used textbooks, and check out our award-winning NOOK tablets and eReaders. Electra's grief is immediately replaced with joy, and she is in the middle of celebrating when the Old Man emerges from within the palace and hurries Orestes inside to kill Clytemnestra. Elektra teases her mother with little pieces of information about the right victim that must be slain, but she changes the conversation to her brother and why he is not allowed back. At last Elektra begins to dance. Electra informs her sister that, to the contrary, Orestes is dead, and that is revenge is to be achieved, the sisters must take matters into their own hands. Elektra is revived by her Kimagure master, Stick, who trains her then with his group of ninjas, The Chaste.
Title: Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. Only one stands up for her, admiring her as a king's daughter and pitying the way she is treated, but she is forced inside by the overseer and beaten. She wants to make another sacrifice to appease the gods, hoping they will grant her peace in return. She wants them to lead normal, happy lives, and enjoy the benefits of being princesses. With Jennifer Garner, Goran Visnjic, Will Yun Lee, Kirsten Zien. Metropolitan Opera House: 12/3/1932., Broadcast (Metropolitan Opera Premiere)", "Strauss, a Composer at the Top of His Game", International Music Score Library Project, Dance suite from keyboard pieces by François Couperin, Divertimento for chamber orchestra after keyboard pieces by Couperin, https://en.wikipedia.org/w/index.php?title=Elektra_(opera)&oldid=984006028, Wikipedia articles needing factual verification from January 2017, Articles with Italian-language sources (it), Short description is different from Wikidata, Articles with unsourced statements from January 2020, Articles with incomplete citations from January 2017, Articles with unsourced statements from January 2017, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License.
"), "Ob ich nicht höre?" When the courtyard is clear, Elektra invokes the shade of her father Agamemnon, murdered by his wife Klytmnestra and her lover Aegisth on his return from Troy.
[6], Elektra is the second of Strauss's two highly modernist operas (the other being Salome),[7][full citation needed] characterized by cacophonous sections and atonal leitmotifs. Orestes wishes to greet her, but instead the Old Man leads him away to present an offering at his father's grave, as Apollo's oracle has instructed.
Elektra, once a student of Kimagure, a force for good, whose masters can see the future and even bring people back from the dead, is now a paid assassin. Clytemnestra is briefly touched by maternal feelings, yet delighted that her prayer has been answered; Electra is overcome with grief. Wer lungert so vor einer Tür?" In de Griekse mythologie zijn er diverse personen die Elektra (Oudgrieks: Ἠλέκτρα) (of Electra) worden genoemd.Soms is niet geheel duidelijk of dezelfde persoon bedoeld wordt. The Kimagure training is the one which allows controlling past, present, and future, and reviving the death even. Passing abruptly from the cryptic answer that the sacrifice must be made by someone who is a stranger yet part of the household, Elektra asks when Orest will be allowed to return from exile.
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