posted on: October 19, 2020
Back in New York Michael meets Mae who works as an assistant curator. The film also boasts an impressive ensemble, including Chanté Adams, Jasmine Cephas Jones, Lil Rel Howery, Kelvin Harrison Jr., Teyonah Parris, Marsha Stephanie Blake, Y’lan Noel and Rob Morgan. A San Valentino, Issa Rae e LaKeith Stanfield interpreteranno una storia d’amore in cui una donna deve imparare dai segreti del passato di sua madre per andare avanti e permettersi di amare ed essere amata. Meghie also imbued her love for fashion into the film [before she was a filmmaker, she worked in fashion PR, after interning at Variety sister publication WWD] and working with costume designer Keri Langerman to hone the characters’ looks. The Photograph is a 2020 American romantic drama film written and directed by Stella Meghie. The film was released in the United States on February 14, 2020, by Universal Pictures. Like I have a strange ritual of whenever they’re sending me to location, I only bring carry on [luggage].”, The filmmaker may be superstitious, but her presence behind the camera is quickly establishing its permanence and is likely to be an inspiration for other prospective women directors, much like Rae told Variety that Prince-Bythewood’s “Love & Basketball” “made me want to be a filmmaker.”, In another Variety interview, Rae gushed about Meghie as a director saying, “I had worked with her on Insecure season 3 and I loved working with her. … We kind of found like the right look for her — [designers like] Altuzarra, Prada. At the funeral, she mentions that she is going to visit Isaac, but Denise tells her that he married shortly after she left. And the classic Burberry trench for the storm.”, “It’s funny for me, cause if you see me out, I’m in sweats at all times. “The Photograph” is in theaters now. Quando la famosa fotografa Christina Eames muore inaspettatamente, lascia la figlia Mae Morton (Rae) ferita, arrabbiata e piena di domande. [17] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, and PostTrak reported it received an average 3 out of 5 stars, with 49% of people saying they definitely would recommend it. And clearly, so does the audience. Un secondo trailer di The Photograph, film originale di Stella Meghie con Issa Rae e LaKeith Stanfield, in uscita il 14 maggio 2020, oltre a confermare che si tratta di una storia d’amore esplosiva, fornisce qualche dettaglio sulla protagonista Mae. They take a photograph in her old home. It’s hard when you’re in the marketplace going up against like $100 million blockbuster films and you’re just like, ‘Where do I land? “I tend to get that question a lot about bringing it back and I’m just like, ‘I don’t know. They flirt and decide to go on their first date, ending with a kiss. She did one of our most romantic episodes I would say. Quando viene trovata una fotografia nascosta in una cassetta di sicurezza, Mae si ritrova in un viaggio che scava nella prima infanzia di sua madre e inizia una storia d’amore potente e inaspettata con un giornalista emergente, Michael Block (Stanfield). In the present day Mae, Christina's daughter, inherits a safety deposit box which includes the same picture of herself and two letters. In fact, Meghie strove to highlight it in both the production design and the cinematography, creating a moody and intimate feel to the movie. He admits to suspecting it when he met Mae as a child but was too afraid to ask Christina. Titled “The Photograph,” for Meghie, it will be her most consequential project to date, one that she and producer Will Packer hope will revitalize a once-thriving sub-genre. “I wanted Issa to feel like she was almost glowing. “The cast just feels phenomenal,” Meghie gushed of her stars. It’s an unconventional movie, more for its manner of cross-generational storytelling (the film jumps back and forth between the 1980s and present day) than the aspect it’s getting the most attention for — being a “black romance.” Though influenced by classic black films — including “Love Jones,” “Love & Basketball” and “Mo’ Better Blues” — the filmmaker has a complicated relationship with the narrative that “The Photograph” is part of some sort of new wave. Inoltre puoi partecipare alle nostre iniziative e vincere tanti premi, Grazie da adesso riceverei settimanalmente la nostra newsletter, L'iscrizione alla newsletter comporta l'accettazione dei termini e condizioni d'utilizzo. Christina refuses and becomes very emotional, kissing Isaac's cheek and crying afterwards which Mae remembers, even as an adult. They spend the day together and at the end Michael tells her that he got a job in London and will be leaving soon but would like to continue the relationship. Tra dramma sentimentale e racconto generazionale, cerca di andare a fondo in sentimenti e paure universali puntando maggiormente sulle emozioni che sulla trama. [11] It was released alongside Fantasy Island, Sonic the Hedgehog and Downhill, and was projected to gross $12 million to $15 million from 2,516 theaters in its opening weekend. “My sisters, like Radha Blank (‘The 40-Year Old Version’) and Liesl Tommy (upcoming ‘Respect’ with Jennifer Hudson), who both gave notes on film, Chinonye Chukwu (‘Clemency’) — those three women have been very supportive,” she added. Michael takes an interest in one particular picture in Isaac's home of a woman named Christina Eames, and wants to know her backstory. But for now, Meghie is focused on “The Photograph,” which tells the story of museum curator Mae (Issa Rae) and journalist Michael (Lakeith Stanfield), who fall for each other after a story Michael is pursuing brings them together. “But when it comes to my characters, I want them to be very polished.”, Speaking of studios, Meghie produced “The Photograph” with Will Packer Productions for Universal Pictures, crediting chairman Donna Langley for green-lighting a lot of movies that “aren’t normally pushed into production.”, “They bought my film and we were in production a year later … same for Melina [Matsoukas with ‘Queen & Slim’],” Meghie said. Catching up with Meghie early Saturday morning after the film’s debut, the writer/director/executive producer admitted she’d been looking at the numbers.
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