tsotsi character analysis


posted on: October 19, 2020

In order to survive he had to lock up his emotions and rely and trust only himself. Boston is sick afterwards. Morris is a man who has lost his legs and carries himself around all day on his hands. He didn’t have anything to fear at this point, he was full of life and appreciating everything there was to offer. Boston: Boston is one of the four members in Tsotsi’s gang. Psychoanalytical Analysis Of Tsotsi Movie. In the early stages Tsotsi demonstrates his hard uncaring shell when he jumps on the train killing Gumboot for no reason other than the color of his tie, his smile, and the money he carried with him. Ian-Malcolm Rijsdijk and Adam Haupt, ‘Redemption to a kwaito beat: Gavin Hood’s Tsotsi’, in Journal of the Musical Arts in Africa, Vol. But a pirated version with the ending in which Tsotsi is shot by the police circulated widely in South Africa, allowing for a very different reading of the film. He doesn’t talk about his current state of mind, collaborative his thoughts with others or reminisce of his past. Boston did hold visions of his future. The main character, known as ‘Tsotsi’, which is the South African term for ‘gangster’ or ‘thug’, is played by Presley Chweneyagae. 541–72. What about a canine” (Hood, 2005). ( Log Out /  But underneath all that is a man who is scared of what caring could do to him. Change ). Miriam had taught Tsotsi the unconditional love between a mother and their child.

The analyses will help your understanding of not only these character’s personality traits, but their relationship with Tsotsi and their role in the novel as well. Character Analysis.

After targeting Morris, the man who had lost both of his legs Tsotsi has redeveloped a major emotion: compassion. Tsotsi becomes a hypocrite of sorts when he saves Boston in order to ask him questions when earlier Tsotsi himself beat Boston close to death for asking questions. Morris’s new perspective that life is beautiful rubs off on Tsotsi and Tsotsi realizes that he no longer wants to kill anymore.

Tsotsi was very timid as well -never speaking out of term and always looking for his mother’s approval for answers-. Essay, 5 pages. As noted earlier, the upper-middle-class couple is an addition in the film; in the novel, Tsotsi does not hijack a car but encounters a frightened, black woman in a grove and comes close to raping her. He never question’s Tsotsi’s motives, rather he supports him and enforces what’s tolds. Tsotsi/David’s emotional transformation gets associated with choral themes. Change ), You are commenting using your Facebook account. Don’t waste Your Time Searching For a Sample, Get Your Job Done By a Professional Skilled Writer.

Tsotsi knows this but he is sometimes frightened by Die Aap. But while stylishness can sometimes be marshalled for radical politics, as it was for instance in the zoot suit riots of 1943, the connection between stylishness and critique is not always obvious. Production Company: The UK Film and TV Production Company PLC, Industrial Development Corporation of South Africa, The National Film and Video Foundation of SA, Moviworld. 19, No. ( Log Out /  Miriam is a random girl that Tsotsi meets but he forces her to come help take care of the baby. Lindiwe Dovey, ‘Redeeming Features: From “Tsotsi” (1980) to “Tsotsi” (2006)’, in Journal of African Cultural Studies, Vol. As Rosalind Morris has it, the tsotsi ‘invest[s] the township with commodity desire’ (Morris 2010: 99). He was the church bell boy. Such stylishness also approaches Tsotsi to film noir, a film movement often noted for its sense of style and fashion, and in this context one could easily look in more detail at the film’s careful use of colours and lighting. He brings the baby to his house in the slum. The killing and robbing of Gumboot was made easy by Butcher; he was able to attack, weaken and eventually kill Gumboot extremely fast. We know Tsotsi as a street thug in Johannesburg, South Africa during apartheid. After leaving his first gang, the river gang he learnt the basis of survival where, again you need to look after yourself first and foremost. Change ), Overview of the Novel Tsosti to Deepen the Understanding for Readers. Tsotsi (Presley Chweneyagae) is a petty-crime gang leader. 1, Spring 2011a, pp. If counsellors are to discern very well their clients of diverse backgrounds or culture and their place in a multicultural society, psychodynamic theory may be particularly helpful in this respect. Change ), You are commenting using your Twitter account. Rate this post The film Melancholia by Lars von Trier gradually develops into the character’s depression through their actions and choices that can relate directly to Lars von Trier’s own depression and unfortunate childhood circumstances. Butcher and Die Aap are the closest out of the group, they are very coordinated in their thinking and their actions. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Retrieved from https://studymoose.com/psychoanalytical-analysis-of-tsotsi-movie-essay, This is just a sample. ( Log Out /  When Tsotsi splits up the gang, Die Aap becomes very upset because he feels as if they are his brothers. Viewers see glimpses of decency as described by Boston – making a living in a way that makes you respected – in Tsotsi as the film progresses, along with his character.

This includes: Tsotsi, Butcher, Die Aap, Boston, the baby, Miriam, Morris, and Isaiah. Isaiah was the one who had told Tsotsi about God and Jesus when he had stopped outside “The Church of Christ the Dreamer”, and answering al the questions asked by Tsotsi. He was also a listener, however he became very agitated with long explanations or stories. Try to complete the mind map by thinking of events, scenarios and characters from the novel to support the themes. "Tsotsi," a film of deep emotional power, considers a young killer whose cold eyes show no emotion, who kills unthinkingly, and who is transformed by the helplessness of a baby.

4, Winter 2008, pp. Tsotsi Character Analysis. Change ), You are commenting using your Google account. Here are some of the key themes in Tsotsi. Rijsdijk and Haupt conclude that the film runs the risk of ‘essentialising conventional gender roles in which women are nurturers and men are violent plunderers’ (Rijsdijk and Haupt 2007: 41). Despite his inabilities he is very optimistic and is able to make the most out of his situation by appreciating the fact that he still is living. 31, No. Knowing that he isn’t going to be coming back alive gives him the strength to admit the identity of how he wants to be remembered: self-sacrificing, morally just man. The baby, in its purest state of life helped bring clarity to Tsotsi. Tsotsi folds his hands together and everyone stops what they are doing. Director: Gavin Hood. In Tsotsi, Tsotsi (a word meaning thug) starts out as a nameless, expressionless character tortured by flashbacks. He is also apart of Tsotsi’s gang. This reveals the context that Tsotsi’s life is more definitely influenced by outdoors forces, instead of his own free will. Boston’s main problem is his curiosity he tends to ask too many questions which led to his demise with Tsotsi. These theoretical mental concepts are “helpful aids to understanding” the mind’s dynamics according to Freud. Tsotsi has been able to break out of his “isolated shell” when he sacrifices his life by crushing himself under the fallen ruins to go after the baby. Rosalind C. Morris, ‘Style, Tsotsi-Style, and Tsotistaal: The Histories, Aesthetics and Politics of a South African Figure’, Social Text, Vol. A real name from him mother” (Hood, 2005). Tsotsi took away the fact that you cannot put your trust in other people; you must be self-sufficient to make progression. The movie Tsotsi takes the audience on a journey into a man’s past and his (self-) liberation from old chains that he is wearing. Change ), You are commenting using your Facebook account. These scenarios are expressed through the use of many literary devices that help explain the message. ( Log Out /  Regimenting himself so strictly enables him to only look out for his best self-interest, this is what brings Tsotsi to being the leader of his gang as he is the youngest in age out of the other thee members. Out damn it! The baby is given to Tsotsi in the beginning of the novel by a woman during a robbery. How strange, a movie where a bad man becomes better, instead of the other way around. (2016, Aug 23). Create a free website or blog at WordPress.com. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are By contrast, Rita Barnard argues, the novel is a ‘meditation on the sociopolitical preconditions for a coherent subjectivity and narration’, a meditation, that is, on how the apartheid state makes telling one’s story, and thus one’s maturation and social mobility, difficult if not impossible (Barnard 2008: 549). This is where we have taken the 8 major characters of the book and analysed them for a better understanding of their role in the book, and influence on Tsotsi’s life. 1, 2007, pp. In classical Hollywood stories, (usually male, white) protagonists drive the plot.

William Glasser, M. D. , is the developer of Reality Therapy and Choice Therapy.

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